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There is a huge stigma behind this, especially for men. At that time, we didn't understand what was happening with us. "We were all very young around five-six years old, he used to call us over and undress us. So we are using this platform to bring about awareness about child abuse and sexual abuse."Ĭontinuing, Kangana said, back in her hometown a youth would call children over and "undress" them. They face so many issues later on in youth. "They become psychologically traumatised and scarred for life. You can't even sexualise them or tell them the difference between a good touch and a bad touch. "This is a big crisis for children, they can't even be educated about this as they are very young. Since sensitising children about "good touch" and "bad touch" is still not easy, it is only fitting that the platform of 'Lock Upp' is being used to bring about awareness about abuse, she added. Every child has to go through this no matter however protective their family is," the actor said. But I didn't know back then what it meant. a boy who was a few years older to me, he used to inappropriately touch me. Everyone goes through this kind of experience, I have too. Everyone is touched inappropriately in childhood. "Munawar, so many kids every year go through this kind of harassment but we don't ever discuss this on a public platform. Kangana praised Munawar for sharing his story publicly for the first time, adding that she too was subjected to "inappropriate touch" in childhood. I never felt that sharing about this with family will do any good," the comedian said.
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I can't remember properly but I felt that he had found out. Visit megaphone."After a point of time, I think they realised that they had gone into the extreme, so they thought they should stop for a while. His other books include Three Jewish Journeys through the Anthropologist's Lens: From Morocco to the Negev, Zion to the Big Apple, the Closet to the Bimah A Gay Synagogue in New York Children of Circumstances: Israeli Emigrants in New York and The Dual Heritage: Immigrants from the Atlas Mountains in an Israeli Village.Īkin Ajayi is a writer and editor, based in Tel Aviv.
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Professor Moshe Shokeid is Professor Emeritus of Anthropology at Tel Aviv University. An account of dissent on campus, the book is at once a memoir, a historical account, and an anthropological consideration of the academic’s responsibility as a public intellectual.Ĭan Academics Change the World? remains relevant today, with many of the issues underpinning the formation and activities of AD KAN still live: the occupation of the West Bank attempts to force Israel into concession and compromise, principally through the Boycott, Diversification, and Sanctions (BDS) campaign and the continued status of the academic as public intellectual, in Israel and elsewhere-this cast against a university landscape that has reorganized itself around a different set of principles in the three decades since AD KAN ceased its activities. Whilst outward facing in their basic ambitions, the founder members of AD KAN also understood that academia’s failure to engage with the realities of the moment-through debate, protest, even applied research-could easily be taken too as acceptance of the status quo, embodying as it did the subaltern position of the Palestinian people.Ĭan Academics Change the World? An Israeli Anthropologist’s Testimony on the Rise and Fall of a Protest Movement on Campus (Berghahn Books, 2020) by Moshe Shokeid, is a personal account of the author’s experiences as co-founder of AD KAN. The initiative, a public pressure group, was prompted by public indifference (at best) about Israel’s 20-year occupation of the Palestinian Territories, and its forceful attempts to suppress the nascent First Intifada popular uprising in the West Bank. AD KAN (NO MORE) was founded in 1988 by a group of academics at Tel Aviv University.